Archives: Tentoonstellingen

The year 2023 also marks the 50th anniversary of the death of one of the most famous artists of the 20th century and this will be widely commemorated in France and Spain. The Cobra Museum is also dedicating a special exhibition to Picasso.

The Cobra Museum presents the exhibition The Other Picasso. Back to the Origin, highlighting a lesser-known part of the artist’s oeuvre. This exhibition pays tribute to Picasso and his cultural background, focusing on his love of dance and theatre, his childhood and his fascination with ceramics.

Choose a quiet moment and plan your visit from 3pm. Book your ticket online and get an 1 euro discount.

Almost a hundred artworks, including drawings, engravings and ceramic works, are presented from both public and private collections. It also highlights his contribution to ballet and literature. A unique opportunity to discover Picasso’s creative spirit.

To do
Every Wednesday and Sunday, the CoBrA Atelier is open for everyone to get creative. There will also be a workshop with the drawing robot run by Wail Kherriazi, a student in the 2nd class of Keizer Karel College. The museum invites Naja Rasmussen for a lecture and table discussion on machismo in our times. She researched Picasso’s machismo and how he related to (his) women and ‘muses’. Rasmussen is chief curator at Kunstmuseum Brandts in Odense, Denmark.

Catalogue
To accompany the exhibition The Other Picasso. Back to the Origin will be accompanied by a multilingual and richly illustrated publication available for sale in the museum shop.

International collaboration
The exhibition The other Picasso. Back to the Origin is an international collaboration between the Cobra Museum of Modern Art in Amstelveen, Kunstmuseum Moritzburg in Halle (Germany), several Spanish institutes, C2C Proyectos Culturales in Malaga (Spain) and Expona.

The exhibition Freedom without Borders. From Appel to Basquiat is the highlight of the anniversary year in which we celebrate the 75^th anniversary of the international Cobra movement (1948 – 1951)! A must-see for anyone interested in modern art and a unique opportunity to see these revolutionary and inspiring works up close.

Discover surprising combinations in this exhibition featuring 120 artworks by artists such as Klee, Picasso, Appel, Van Gogh, Constant, Miró, Ferlov, Beckmann, Alechinsky, Pollock, De Kooning, Basquiat, Corneille, Van der Gaag, Brown, Schwitters and Munch. And many other well-known and lesser-known artists. 

Choose a quiet moment and plan your visit from 3pm. Book your ticket prior to your visit and get a 1 euro discount.

Freedom without Borders shows Cobra art in relation to precursors, contemporaries and contemporary artists. Extraordinary, impressive and sometimes refined works of art show how the creative energy and freedom of the Cobra movement are still a source of inspiration for artists today. Placing the artworks next to or close to each other creates new connections and perspectives.

Cobra artists such as Appel, Constant, Alechinsky, Corneille, Jorn, Götz and Van der Gaag, are shown alongside precursors such as Van Gogh, Picasso, Beckmann, Schwitters, Klee, Miró and Munch. Also on show are works by contemporaries such as Pollock, Katzuo Shiraga, Dubuffet and Willem de Kooning, and successors such as Baselitz, A.R. Penck, Martha Jungwirth, Jean-Michel Basquiat, Tal R, Cecily Brown and Eva Räder.

Women
The exhibition pays special attention to the work of a group of women artists, from Lotti van der Gaag, Ferdi, Jacqueline de Jong, Frieda Hunziker and Dora Tuynman to Judit Reigl, Cecily Brown and Tanja Ritterbex. Especially for those starting their practice in the 1950s and 1960s, opportunities to show their work were limited. In an art world dominated by male colleagues, it was not easy to break through as an artist or to be treated as an equal.

75 years of Cobra 
‘We wanted to start afresh, like a child.’ With this statement, artist Karel Appel articulated one of the main tenets of the international Cobra movement (1948-1951). After a time when all expression had been suppressed and in most cities the ruins of the Second World War had yet to be cleared away, freedom and vitality became key concepts for the Cobra artists.

Cobra was an international movement of young, progressive artists. In the years after the Second World War, they caused a revolution: a breakthrough in modern art and certain aspects of which still permeate art views and artistic expressions today. The movement was officially founded on 8 November 1948 in Paris. The name Cobra is a compound of: Copenhagen, Brussels and Amsterdam. The capitals where the founders of this artist group came from. Jorn from Denmark, Dotremont and Noiret from Belgium, Appel, Corneille and Constant from the Netherlands. Later, more artists joined and together they completely changed tack.

Guest curator
The exhibition Freedom without Borders has been curated by guest curator Maarten Bertheux. He has made several exhibitions with Cobra artists and is familiar with the Cobra Museum’s collection. Bertheux was previously a curator at the Museum Boijmans Van Beuningen and the Stedelijk Museum Amsterdam.

Richly illustrated catalogue 
A bilingual catalogue has been published especially for this special celebration in collaboration with Waanders Publishers. The book is available for €29.95 at the museum shop. The catalogue includes contributions by art critic and author Joke de Wolf, guest curator Maarten Bertheux and former Stedelijk Museum Amsterdam director Rudi Fuchs.

Summer at the Cobra Museum: podcast, Cobra treats! , evening opening
We have made a podcast (in Dutch) in which several art lovers, including Jeroen Krabbé, share anecdotes about their connection to Cobra art. During the Cobra treats! weekends (at the end of each month), we have special activities planned. One of these is a musical lecture (Dutch) by jazz musician Michael Varekamp on Sunday 27th of August, which will also highlight the important role jazz music played in the Cobra movement.

Corneille’s 100th birthday will be celebrated from 3 July 2022 onwards in the Cobra Museum. He started his artistry searching, looking at other artists and inspired by nature and people around him.

During the reconstruction, Corneille and his fellow Cobra artists focused on liberating art. It was time for new subjects, new materials and a new way of painting. Corneille painted spontaneously and improvising in which drawn lines grew into shapes and figures. He created an optimistic utopian world inhabited by cheerful fantasy figures.

A trip to the Hoggar Mountains in North Africa is a new source of inspiration. Corneille translates the dry, cracked landscape into increasingly abstract canvases with round shapes and a powerful interplay of lines in earthy tones. Corneille would make many inspiring journeys, which translated to the canvas, but Africa will be a lasting source of inspiration for him.

At the end of the sixties, the narrative character returned to Corneille’s work. With a poetic visual language he placed figuration, such as woman, bird and celestial bodies in a paradisiacal, colorful world. Using screen printing techniques, he reached countless Dutch households in the eighties and nineties in the form of cups, pens, ties, but also by means of a modified hot-air balloon and tram. This commercialization was frowned upon by the art world. For the many spectators, however, the recognizable and colorful character of Corneille’s work often served as an introduction to the same art world.

Several artists of the Cobra movement sought inspiration for their work and philosophy in art from outside Europe, including from North Africa. The exhibition ‘Cobra and North Africa’ shows work from the museum collection by the artists who, through travel or in other ways, came into contact with the art, culture and people of North African countries such as Morocco, Algeria and Tunisia.

After the Second World War, the Dutch, Danish and Belgian artists of the Cobra movement first came into contact with non-European art in museums. The Rijksmuseum exhibited ethnographic collections, for example, and Pablo Picasso’s paintings, based on his collection of African masks, found their way into museums of modern art. These images and paintings had a strong influence on some of the Cobra artists. Several of them felt the urge to see more of the world. Sometimes out of a sincere, deeper interest in other parts of the world, and sometimes with completely unrealistic expectations, artists such as Asger Jorn, Corneille and Anton Rooskens travelled to parts of North Africa. Asger Jorn, among others, even decided to live there for a longer period of time.

The artists used their travel impressions for their paintings, sculptures and written works. While one tried to capture the impressions of the landscape on canvas, being in an environment and culture different from those of Western Europe helped the other to refine his ideas and philosophy on art.

This winter, the Cobra Museum of Modern Art is presenting work by Guido van der Werve, winner of the Cobra Art Prize 2021. The jury of the Cobra Art Prize Amstelveen 2021, consisting of Sjarel Ex, Roos Gortzak and Melchior Jaspers, unanimously decided to honour this visual artist. Van der Werve receives a monetary award of €15,000 and has been invited to present a selection of existing work in the Cobra Museum. This presentation is on show in the Cobra Museum from 4 December 2021 to 3 March 2022.

Experiment, interdisciplinarity and radicalism are central to the works of Guido van der Werve. These are core values that he shares with the artists of the Cobra movement. In his work, Van der Werve always deliberately sought exhaustion, testing the limits of his perseverance and endurance. In 2016, he was seriously injured in a traffic accident. At 39, he had to rediscover himself: an exhausting process that required all his strength to get back on his feet. Van der Werve is currently making new work about this process. The jury feels that Guido van der Werve more than deserves the Cobra Art Prize 2021 for a mid-career artist.

Jury Cobra Art Prize 2021
“His works are utterly fascinating, alienating and often evoke an uncanny feeling. Many of his films are spectacular, grand and compelling as well as sensitive and tender. Van der Werve combines and connects music, the human body, history, performance, aesthetics, absurdity and cinematography in a way that is entirely his own. The fact that Van der Werve manages to bring all these facets together makes him a great and important artist.”

About the artist
Guido van der Werve (1977) studied at the Gerrit Rietveld Academy and the Rijksakademie. Trained as a classical pianist, Van der Werve has been composing music since 2007, which he also uses for his video works. He started out as a performance artist, but soon switched to documenting his performances. Van der Werve became interested in film and cinematography because he experienced a similar emotional immediacy as he did in music. He has received several awards and his work is exhibited both in the Netherlands and abroad. In early 2022, a major exhibition about Van der Werve will open in Eye Filmmuseum Amsterdam.

About the jury
Sjarel Ex (1957) is an art historian and director of Museum Boijmans Van Beuningen. Roos Gortzak (1973) is an art historian, curator, critic and director of the Vleeshal in Middelburg. Melchior Jaspers (1987) is an exhibition curator and art advisor to the Dutch State Architect. The awarding of the Cobra Art Prize was based on nominations by the jury members.

About the prize
The Cobra Art Prize Amstelveen, which was introduced in 2005, is awarded periodically to a mid-career visual artist whose work engages with the spirit of the Cobra movement. Experiment, interdisciplinarity and radicality are at the heart of the legacy of this movement. The award consists of a monetary award of €15,000 and an exhibition in the Cobra Museum of Modern Art. With the Cobra Art Prize Amstelveen, the Cobra Museum of Modern Art, together with the City of Amstelveen, highlights the values of the Cobra movement and its role in contemporary art. Previous winners were Joost Conijn (2005), Johannes Schwartz (2007), Gijs Frieling (2009), Nathaniel Mellors (2011), Metahaven (2013), Jennifer Tee (2015) and Christian Friedrich (2017). The Cobra Art Prize Amstelveen is generously supported by the City of Amstelveen.

The Cobra Museum of Modern Art is pleased to present the first major retrospective exhibition that celebrates the masterful work of the renowned Cuban photographer Alberto Díaz Gutiérrez, commonly known as Korda. His iconic portrait of Ernesto ‘Che’ Guevara is world famous. However, the exhibition shows that Korda was much more than the photographer of that one photo and the revolution. Korda: Cuba, Che, Glamour shows a selection of his very best works; from glamor and feminine beauty to advertising photography, to powerful portraits of the leaders and military of the Cuban revolution to the Cuban people and underwater wildlife images. The exhibition is made possible with the courtesy of Terra Esplêndida and The Estate of Alberto Korda, which is run by his daughter Diana Diaz, and is curated by Cuban art critic and curator Cristina Vives.

Alberto Diaz Gutiérrez: Korda
Alberto Diaz Gutiérrez, known by the name Korda (Cuba, 1928 – France, 2001) is the author of Che Guevara’s most iconic portrait, dubbed “Heroic Guerrilla”, dated March 5, 1960, considered to be the most reproduced still in the history of photography, as well as one of the most representative images of the 20th century. Korda was also one of the photographers of the Cuban Revolution (1959) and documented a graphic diary with the epic iconography that marked the first years of the period. His work composes an important historical documentation, basilar to the understanding of the revolutionary spirit and character of those involved.

Authentic studio photography
Less known is the fact that Korda was initially a fashion and advertising photographer, founder in 1954 of one of the first studios dedicated to the media in Cuba. From the beginning, Korda always had a very distinctive approach to photography, working exclusively with natural light and being precise about framing and composition, envisioning his photos to be authentic stories about female beauty. Korda used this same approach when photographing the revolution. He knew how to take advantage of the sex appeal and beauty of revolutionary people in the Caribbean Island.

As the curator, Cristina Vives, says: “Korda: Cuba, Che, Glamour showcases an extremely versatile artist, not simply the illustrator of a particular moment in political history, no matter how interesting or newsworthy this period was. His works extend from commercial advertising to politics, from depicting celebrities to portraying the guerrillas, from the city’s nightlife to military marches or popular rallies, from the sensuality of female nudes to the scientific observation of Cuba’s seas. And he did all of this without diminishing either genres or subjects, moving naturally and authentically between glamour, beauty, and revolution. The exhibit, comprehended about 150 photographs, videos, and original documents, aims to reveal a complex and creative artist, and to educate audiences on the variety of his body of work and contextualize it, as well as to free the photographer from the “heavy weight of one photo”.

We received reactions to the title of the exhibition ‘Korda: Cuba, Che, Glamour’ from various sides. The impression is created that there would be a tribute to Che Guevara. ‘Stefan van Raay, director of the Cobra Museum of Modern Art, contradicts this in the response below:

The exhibition revolves entirely around the artist Korda. He took many photos, but was also the photographer of the most reproduced photo of the 20th century, “Heroic Guerrilla Fighter”, the portrait of Che Guevara, which in fact has always haunted him. This exhibition aims to introduce the public to the diversity of his entire legacy and to free him from the “heavy weight of this one photograph”. A photo that has been reproduced and commercialized worldwide, but has also been used by many others for various ideological purposes.

This historical retrospective of the work of Alberto Diaz Gutierrez, aka Korda, gives the Dutch public the opportunity to get to know all aspects of his work: His studio photography for fashion and advertising, often featuring beautiful models, his focus on individual spectators during political meetings in the first nine years of the Cuban Revolution and the portraits of the Cuban population in urban and rural areas. After 1968, when his archive was taken over by the state, he withdrew and focused solely on underwater photography.

The exhibition was opened by the Cuban ambassador on Thursday 17 March. Mayor Poppens was present. It is customary for a mayor to officially receive an ambassador. The Cobra Museum is responsible for the content of the exhibition.